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Category: access

Chapter 8: Preparing and Releasing Official Statistical Data by Professor Natalie Shlomo

Black and white photo of a woman using a keypunch to tabulate the United States Census, circa 1940.Chapter 8 of Partners for Preservation is ‘Preparing and Releasing Official Statistical Data’ by Professor Natalie Shlomo. This is the first chapter of Part III:  Data and Programming. I knew early in the planning for the book that I wanted a chapter that talked about privacy and data.

During my graduate program, in March of 2007, Google announced changes to their log retention policies. I was fascinated by the implications for privacy. At the end of my reflections on Google’s proposed changes, I concluded with: ... 

Chapter 2: Curbing the Online Assimilation of Personal information by Paulan Korenhof

The second chapter in Partners for Preservation is ‘Curbing the Online Assimilation of Personal Information’ by Paulan KorenhofGiven the amount of attention being focused on the right to be forgotten and the EU General Data Protection Regulation (GDPR), I felt it was essential to include a chapter that addressed these topics. Walking the fine line between providing access to archival records and respecting the privacy of those whose personal information is included in the records has long been an archival challenge. ... 

The CODATA Mission: Preserving Scientific Data for the Future

The North Jetty near the Mouth of the Columbia River 05/1973This session was part of The Memory of the World in the Digital Age: Digitization and Preservation conference and aimed to describe the initiatives of the Data at Risk Task Group (DARTG), part of the Committee on Data for Science and Technology (CODATA), a body of the International Council for Science.

The goal is to preserve scientific data that is in danger of loss because they are not in modern electronic formats, or have particularly short shelf-life. DARTG is seeking out sources of such data worldwide, knowing that many are irreplaceable for research into the long-term trends that occur in the natural world. ... 

Digitization Quality vs Quantity: An Exercise in Fortune Telling

The quality vs quantity dilemma is high in the minds of those planning major digitization projects. Do you spend your time and energy creating the highest quality images of your archival records? Or do you focus on digitizing the largest quantity you can manage? Choosing one over the other has felt a bit like an exercise in fortune telling to me over the past few months, so I thought I would work through at least a few of the moving parts of this issue here. ... 

Digitization Program Site Visit: Archives of American Art

The image of Alexander Calder above shows him in his studio, circa 1950. It is from a folder titled Photographs: Calder at Work, 1927-1956, undated, part of Alexander Calder’s Papers held by the Smithsonian Archives of American Art and available online through the efforts of their digitization project. I love that this image capture him in his creative space – you get to see the happy chaos from which Calder drew his often sleek and sparse sculptures. ... 

Digitization Program Site Visit: University of Maryland

I recently had the opportunity to visit with staff of the University of Maryland, College Park’s Digital Collections digitization program along with a group of my colleagues from the World Bank. This is a report on that site visit. It is my hope that these details can help others planning digitization projects – much as it is informing our own internal planning.

Date of Visit: October 13, 2011 ... 

SXSW Panel Proposal – Archival Records Online: Context is King

I have a panel up for evaluation on the SXSW Interactive Panel Picker titled Archival Records Online: Context is King. The evaluation process for SXSW panels is based on a combination of staff choice, advisory board recommendations and public votes. As you can see from the pie chart shown here (thank you SXSW website for the great graphic), 30% of the selection criteria is based on public votes. That is where you come in. Voting is open through 11:59 pm Central Daylight Time on Friday, September 2. To vote in favor of my panel, all you need to do is create a free account over on SXSW Panel Picker and then find Archival Records Online: Context is King and give it a big thumbs up. ...